I wake up in someone else’s house every morning, and lay my head somewhere else every night. The tattoos are my only constant company, covering almost all my skin. I’d stretch the free space of my flesh out if I could, but I don’t make or choose the pictures—and I can’t control the size.
Read MoreAll Things to All PeopleMaurice Broaddus discusses his story "Super Duper Fly."
Read MoreInterview with Author Maurice BroaddusTopher Blanderson stared at his computer screen, knowing something wasn’t quite right but unable to put his finger on it. The account numbers scrolled past, a series of figures moving so quickly, they were almost hypnotic. His head ached.
Read MoreSuper Duper FlyCaitlín R. Kiernan’s dark fantasy novel The Drowning Girl: A Memoir and Robert W. Chambers’ supernatural story collection The King in Yellow have several themes in common—ancient malign gods, hauntings, and madness-inducing works of art, for instance—but one of the most interesting is how the two authors handle unreliable narrators.
Read MoreUnreliable Narrators in Kiernan and ChambersWelcome to issue 77!
Read MoreWords from the Editor-in-Chief
For Gabriele, gravity had ended. She spun unmoored, drifting in the outgassing light that spilled from the star she’d flown though. Her orbit deteriorated slowly. The skin of her hull was pockmarked and blistered, bubbled with plasma burns. What remained of her telemetric instruments was melted dross, cooling slowly from white to sullen red.
Read MoreWhen the Fall Is All That’s LeftAn interview with Filipino-Asian author Zen Cho.
Read MoreInterview with Zen ChoAn interview with our cover artist.
Read MoreInterview with Cover Artist Ekaterina ZagustinaAn interview with Bangladeshi author Saad Z. Hossain.
Read MoreInterview with Saad Hossain