interviews

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ByMarissa van Uden

Interview with Author Lyndsie Manusos

But it’s important to remember that much of the workforce of large corporations or government entities have many layers and few privileges, especially those who live hand to mouth with minimum wage.

ByMarissa van Uden

a cover of ape magazine with an image of a woman with a butterfly on her face.

Interview with Author Sachiko Ragosta

I think it’s easy as an outsider to see when someone is clinging on or returning to the things that hurt them, but for the person stuck in that cycle, agency can be a bit skewed.

ByBradley Powers

apex magazine interview with artist lauren snow.

Interview with Artist Lauren Raye Snow

I have always wanted to paint Joan, who was an early figure of fascination for me (and I think she is for many young girls and queer people).

ByMarissa van Uden

Interview with Author A.V. Greene

These are girls who are fully aware that they’re making bad choices, but they do choose instead of letting anyone else choose for them.

ByMarissa van Uden

an image of a man with a bird on his shoulder.

Interview with Author Tre Harris Salas

I really wanted to talk about my abuela and her journey to this country. She really did travel across the border in order to find my abuelo. This is as much her story as it is mine.

ByBradley Powers

an image of a magazine cover with a picture of an egyptian god.

Interview with Artist Robson Michel

Fantasy was a type of art that I saw as limitless, where I could explore and develop my art as well as use it to play with friends, drawing their characters and the monsters they encountered.

ByMarissa van Uden

Interview with Author Alex Langer

While this story isn’t set in Guatemala specifically—it’s a story about many, many regimes—it’s inextricable from that context. The crime of disappearing someone is really killing them twice, erasing both them and the possibility of memorializing them.

ByMurtaza Mohsin

Interview with Author Murtaza Mohsin

A woman returns to the village she grew up in, promising its inhabitants salvation—and bringing them doom. Murtaza Mohsin's "The Flowering of Peace" pulls the reader along on Noor's quest for revenge, from fields of alien crops to the village square and back into the stars.

ByDee Nguyen

Interview with Artist Dee Nguyen

Many of the East Asian artists I’ve been admiring lately incorporate movement through background elements like flames, clouds, mountains, in ways that I find just breathtaking. With my own art, I want to instill that sense of levity and suspension, like the moment when a breath is drawn in and held, and so I try hard to do that in my compositions.