

Interview with Artist Lenka Šimečková
Basically, just play with the silent language of shapes and textures, picking some and letting go of others.
Strange. Surreal. Shocking. Beautiful.
Strange. Surreal. Shocking. Beautiful.
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Basically, just play with the silent language of shapes and textures, picking some and letting go of others.
The tricky thing about discussing systemic flaws/shortcomings/violence is you’re trying to describe something that has been actively normalized and made invisible over generations.
Asya is a self-taught Bulgarian illustrator specializing in dark fantasy and horror imagery.
And yet sometimes, when you listen to the song of the faeries beyond the hedge line and ask just the right questions, the way out
The rule I follow is that the more expansive in scope a concept or setting is, the more personal the story needs to be—if you’re
Andrew McIntosh: Most ideas come to mind pretty quickly, but sometimes I need to stare at a wall or close my eyes to see it.
$4 funds 50 words of Apex Magazine fiction!
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