
Clavis Aurea

Clavis Aurea #21: Eric Schaller, Naim Kabir, Mary Thaler
It really isn’t fair, as others have pointed out, how November/December short story publications tend to get lost in the shuffle between one year and
Strange. Surreal. Shocking. Beautiful.
Strange. Surreal. Shocking. Beautiful.
It really isn’t fair, as others have pointed out, how November/December short story publications tend to get lost in the shuffle between one year and
I have always wanted to do a year’s best roundup, but this is the first year I have read enough releases from a single year
Is there anywhere else in the literary world where a 10,000-word presentation on technology will be happily embraced as leisure reading?
There are lots of reasons, I’m sure, why authors choose children as narrators. Maybe because they are unreliable or innocent narrators, or because they approach
Story is a lovely thing, but a story’s language can lovely all by itself. On a story-to-language spectrum, I confess to being a Utilitarian who
Fairy tales in their earliest written forms can seem incoherent to a modern reader. They are full of dropped threads, random occurrences, and they often
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